Thankfully, the last couple of songs bring back some melody on the screen, something which was expected from M.M. He has Mounima for company in this yet another out and out situational number. Kailash Kher is the man for the job and he begins to narrate lofty tales about the man of the moment, Bahubali. It is back to a 'homage song' with a chorus kick-starting the proceedings for 'Kaun Hai Voh'. This one promises to be quite visually appealing on the big screen. Kreem's grand vision around this love song which has some good chorus coupled with Kaala Bhairava's support behind the mike. However, you are willing to ignore that due to M.M. Mishra excelled in when he was the man for the job for Hindi version of countless A.R. Oh yes, the lyrics are again the kind that Late P.K. Neeti Mohan gets into the scheme of affairs and makes an instant impact with 'Khoya Hain'. It is at this point that a song arrives which one wants to play for as long as it can. It should add on well to the visual narrative of the film but as a song, it lasts for 100 seconds and one doesn't mind an early culmination. The moment the song begins, what catches your attention are the lyrics that are yet again high on philosophy and are much heavily worded (' Kal-Kal Ye Aviral Ye Behti Jaati Praan Nadi').
While the chorus does its job right, by this time you do wonder if there would be songs on display that may enjoy a life beyond the film's run as well.īombay Jayashri returns on the scene, this time with Swetha Raj, for 'Swapn Sunehere'.
A war song which is yet again situational to the core, it does take one back into the period era. The song is totally into the zone for the singer and he is just the right artist for the part.
Thump continues in the proceedings with Kailash Kher roped in for 'Jal Rahin Hain'. Once the song passes through the two minute mark, there is heroism on display with some thumping music, which would sound good when seen with the visuals. An introduction song for the man in question, Bahubali, it also has heavy weight words like 'vish', 'amrit' and 'manthan' thrown in, which immediately bring this track into the 'situational' zone. It is a slow start for the song which gets forceful once the male singer comes on the scene. Manoj Muntashir is roped in as a lyricist.īombay Jayashri begins the proceedings with the title song which is tagged as 'Mamta Se Bhari'. Kreem at the helm of affairs, one expects a dash of melody to be thrown in as well to act as the driving force. Rajamouli thinks big, even the musical score is expected on the same lines. One expects a grand musical score for Bahubali, considering the kind of opulence which is on display in the promos of the film. Bahubali – The Beginning Review & Review Rating
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